Alicia Riccio

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<channel>
	<title>Alicia Riccio</title>
	<link>https://aliciariccio.com</link>
	<description>Alicia Riccio</description>
	<pubDate>Thu, 25 Jul 2024 15:59:23 +0000</pubDate>
	<generator>https://aliciariccio.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Left Nav</title>
				
		<link>https://aliciariccio.com/Left-Nav</link>

		<pubDate>Sun, 11 Apr 2021 15:11:33 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Left-Nav</guid>

		<description>Alicia Riccio


	about
	
	
</description>
		
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	<item>
		<title>Hard Copy</title>
				
		<link>https://aliciariccio.com/Hard-Copy</link>

		<pubDate>Thu, 25 Jul 2024 15:59:23 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Hard-Copy</guid>

		<description>
Hard Copy2023-ongoinginkjet prints, pen, marker on paperDimensions variable, 9.5 x 13 in /eaThese are selections from the the first two chapters of Hard Copy, an ongoing five chapter series. The series departs from a five-page, handwritten document recording the 107 items purchased over the course of one day in 1977 from Giovanni’s Room, the first LGBT bookstore to open in the US in 1973. The backside of the prints are scanned flyers advertising for local and national LGBT events found archived alongside the pages. The sales document and flyers wer scanned from the Giovanni’s Room records held at the John J. Wilcox Jr. Archives at the William Way LGBT Community Center In Philadelphia.

&#60;img width="2000" height="1377" width_o="2000" height_o="1377" data-src="https://freight.cargo.site/t/original/i/70d9a5c700eefbe4785da7148fcd5df96c7343a6ccf661582147d571f850612b/2024_TSA_06_Theories_Of_Relativity-W-7.jpg" data-mid="215282655" border="0"  src="https://freight.cargo.site/w/1000/i/70d9a5c700eefbe4785da7148fcd5df96c7343a6ccf661582147d571f850612b/2024_TSA_06_Theories_Of_Relativity-W-7.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e7983a153dcb23800c80117b3a8f5a88ba241e7f8635b87b81d959e7be89bee2/2024_TSA_06_Theories_Of_Relativity-W-20.jpg" data-mid="215282660" border="0"  src="https://freight.cargo.site/w/1000/i/e7983a153dcb23800c80117b3a8f5a88ba241e7f8635b87b81d959e7be89bee2/2024_TSA_06_Theories_Of_Relativity-W-20.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/301008de9c1947694369292a5453b851f570175f5240ab8218c95bac653fdb07/2024_TSA_06_Theories_Of_Relativity-W-31.jpg" data-mid="215282662" border="0"  src="https://freight.cargo.site/w/1000/i/301008de9c1947694369292a5453b851f570175f5240ab8218c95bac653fdb07/2024_TSA_06_Theories_Of_Relativity-W-31.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6c04a882eb3597367aa3598dce5088698cf76e2cd9f0303e2bd96207e60674c8/2024_TSA_06_Theories_Of_Relativity-W-18.jpg" data-mid="215282657" border="0"  src="https://freight.cargo.site/w/1000/i/6c04a882eb3597367aa3598dce5088698cf76e2cd9f0303e2bd96207e60674c8/2024_TSA_06_Theories_Of_Relativity-W-18.jpg" /&#62;&#60;img width="1395" height="2000" width_o="1395" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ae0c536fe6d79e72c2e0faf5cf245fc4187f906af14f0ad33d7b327713e39071/2024_TSA_06_Theories_Of_Relativity-W-24.jpg" data-mid="215282661" border="0"  src="https://freight.cargo.site/w/1000/i/ae0c536fe6d79e72c2e0faf5cf245fc4187f906af14f0ad33d7b327713e39071/2024_TSA_06_Theories_Of_Relativity-W-24.jpg" /&#62;
Hera (no. 95, ch. 5), 2023

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/0ed036c0eeb6caf490d7acc21b110159309b3a6f193b92260932890a0e3d6888/2024_TSA_06_Theories_Of_Relativity-W-17.jpg" data-mid="215282656" border="0"  src="https://freight.cargo.site/w/1000/i/0ed036c0eeb6caf490d7acc21b110159309b3a6f193b92260932890a0e3d6888/2024_TSA_06_Theories_Of_Relativity-W-17.jpg" /&#62;

Images from ‘Theories of Relativity’ at Tiger Strikes Asteroid, Philadelphiaphotographs by Constance Mensh

&#60;img width="2850" height="3900" width_o="2850" height_o="3900" data-src="https://freight.cargo.site/t/original/i/370d81acbf270f829194df3084067f01a78bc0ebd95679123bd8bb1a3ac18cec/img20231209_19561719-copy.jpg" data-mid="216730386" border="0"  src="https://freight.cargo.site/w/1000/i/370d81acbf270f829194df3084067f01a78bc0ebd95679123bd8bb1a3ac18cec/img20231209_19561719-copy.jpg" /&#62;Lavender Jane Loves Women (no. 103, ch.5), 2023
&#60;img width="2850" height="3900" width_o="2850" height_o="3900" data-src="https://freight.cargo.site/t/original/i/c464fb6ce9fad2c39c722b938a0ddc51f18e918c108597fc59f62732a913f4c1/img20231209_19525733-copy-2.jpg" data-mid="216730301" border="0"  src="https://freight.cargo.site/w/1000/i/c464fb6ce9fad2c39c722b938a0ddc51f18e918c108597fc59f62732a913f4c1/img20231209_19525733-copy-2.jpg" /&#62;The Well of Loneliness (no. 90, ch. 4), 2024


&#60;img width="2850" height="3900" width_o="2850" height_o="3900" data-src="https://freight.cargo.site/t/original/i/902453dce9e846a5f7c39addf5017c6acc19e9ecedf6d00a7afac9df927dedb9/img20231209_19513186-copy.jpg" data-mid="216730300" border="0"  src="https://freight.cargo.site/w/1000/i/902453dce9e846a5f7c39addf5017c6acc19e9ecedf6d00a7afac9df927dedb9/img20231209_19513186-copy.jpg" /&#62;Womens symbol chain (no. 106, ch. 5), 2023

&#60;img width="2888" height="3846" width_o="2888" height_o="3846" data-src="https://freight.cargo.site/t/original/i/bf59c25fa24fab9c7a9f93f13d68325d47a688cb92490a98b8c6f21e5097acbd/Riccio.Alicia.24ThesisPortfolio11-copy.jpg" data-mid="216730304" border="0"  src="https://freight.cargo.site/w/1000/i/bf59c25fa24fab9c7a9f93f13d68325d47a688cb92490a98b8c6f21e5097acbd/Riccio.Alicia.24ThesisPortfolio11-copy.jpg" /&#62;Philadelphia Gay News (no. 98, ch. 5), 2023


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	<item>
		<title>First Person Plural</title>
				
		<link>https://aliciariccio.com/First-Person-Plural</link>

		<pubDate>Tue, 28 May 2024 15:19:51 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/First-Person-Plural</guid>

		<description>
First Person Plural
2024Sound installationFM transmitter, digital media player, 5 AM/FM radios, 3 benches,
boundary chain live microphone, microphone stand, isolation shield.10 min 11 seconds, looping at 15 min intervalsDimensions variable
First Person Plural is a sound installation of five FM/AM radios that are dispersed throughout the exhibition placed on top o benches and inside the two bathrooms. The sonic material is from a performance of my live, recorded, and digital voice that occurred at the opening of Whats a Public For&#38;nbsp;at Atelier Gallery, Philadelphia, PA. In the performance my voice(s) speak to one another and project throughout the space through radios while I remain present in the space of performance, partially visible behind a wall. The written and spoken script references historical moments of collective
listening and questioning of truth; the truth of history, of voice, of time, and of being deceived.

&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/0aba32c862d3343b7c7938ce92cb36735295a43f552a04309c33ed80e95f4d20/Riccio.Alicia.24ThesisPortfolio19.jpg" data-mid="211814155" border="0"  src="https://freight.cargo.site/w/1000/i/0aba32c862d3343b7c7938ce92cb36735295a43f552a04309c33ed80e95f4d20/Riccio.Alicia.24ThesisPortfolio19.jpg" /&#62;Performance photography by Catching On Thieves


&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/b98a4e00539b2a18be70eb5d7f6a7fcb5a84c081f93b66f17b98a9a483e41c12/Riccio.Alicia.24ThesisPortfolio12.jpg" data-mid="211814134" border="0"  src="https://freight.cargo.site/w/1000/i/b98a4e00539b2a18be70eb5d7f6a7fcb5a84c081f93b66f17b98a9a483e41c12/Riccio.Alicia.24ThesisPortfolio12.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/0ad24c83b3c3ddf46a541efd7205017d12a111674776b69118203614272827db/Riccio.Alicia.24ThesisPortfolio14.jpg" data-mid="211814138" border="0"  src="https://freight.cargo.site/w/1000/i/0ad24c83b3c3ddf46a541efd7205017d12a111674776b69118203614272827db/Riccio.Alicia.24ThesisPortfolio14.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/a2f8ea911b866e0baf08355b32aa00701546d9ba27b59a5e159220e5702e783c/Riccio.Alicia.24ThesisPortfolio17.jpg" data-mid="211814148" border="0"  src="https://freight.cargo.site/w/1000/i/a2f8ea911b866e0baf08355b32aa00701546d9ba27b59a5e159220e5702e783c/Riccio.Alicia.24ThesisPortfolio17.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/b91fea252ba01257a884154ebf65b602b1d6b51a641087781b876269c10f512a/Riccio.Alicia.24ThesisPortfolio18.jpg" data-mid="211814151" border="0"  src="https://freight.cargo.site/w/1000/i/b91fea252ba01257a884154ebf65b602b1d6b51a641087781b876269c10f512a/Riccio.Alicia.24ThesisPortfolio18.jpg" /&#62;
&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/999a91b96ea711e97456172cf37a2911e3825e9d67a02f245d4a48cfb14c2839/Riccio.Alicia.24ThesisPortfolio16.jpg" data-mid="211814144" border="0"  src="https://freight.cargo.site/w/1000/i/999a91b96ea711e97456172cf37a2911e3825e9d67a02f245d4a48cfb14c2839/Riccio.Alicia.24ThesisPortfolio16.jpg" /&#62;
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	<item>
		<title>The Timbre of Distance</title>
				
		<link>https://aliciariccio.com/The-Timbre-of-Distance</link>

		<pubDate>Tue, 28 May 2024 15:32:42 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/The-Timbre-of-Distance</guid>

		<description>
The Timbre of Distance2023Video and sound installation1 channel video, 4 channel audio, recorded and synthetic voice, plexiglass, speakers, benches8:29 min, loopingDimensions variableThe Timbre of Distance, an 8:29 minute looping video and four-channel audio installation consisting of scrollin voice banking scripts, recorded and banked voice, benches, and plexiglass. The piece delves into voic banking–a technology designed to preserve one’s voice, described by the voice synthesizing company Descript, as a tool to encapsulate, “one's identity and essence.” Voice banking is primarily utilized by individuals with M or ALS, and through technological advances is becoming increasingly ubiquitous. In the installation, both my recorded voice and banked voice recite the rolling scripts appearing in white against varying blue background derived from the corresponding company's branding. Initially legible, the scripts gradually blur as successive layers accumulate, ultimately disintegrating into a visual and auditory cacophony that emphasizes the tone and resonance of voice over the words spoken. By exploring the proposition and yearning for voice to encapsulate a person’s tru and singular essence the work looks to the multiplicity of voice and focuses on the distance and gap created durin the process of transferring a live voice to a cloned voice revealing what gets generated and lost along the way.
&#60;img width="2000" height="1232" width_o="2000" height_o="1232" data-src="https://freight.cargo.site/t/original/i/a65c58c312f95ed171f6b4d7f3826983c0defbff9d58b053ad86d5bc053eba91/Riccio.Alicia.24ThesisPortfolio4.jpg" data-mid="211815207" border="0"  src="https://freight.cargo.site/w/1000/i/a65c58c312f95ed171f6b4d7f3826983c0defbff9d58b053ad86d5bc053eba91/Riccio.Alicia.24ThesisPortfolio4.jpg" /&#62;
&#60;img width="7378" height="5005" width_o="7378" height_o="5005" data-src="https://freight.cargo.site/t/original/i/48c5f1506091594b38ca83c3102f96c5cad878139549e9512d4445b7595ecbf9/_28A9405.jpg" data-mid="211936279" border="0"  src="https://freight.cargo.site/w/1000/i/48c5f1506091594b38ca83c3102f96c5cad878139549e9512d4445b7595ecbf9/_28A9405.jpg" /&#62;&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/6a9150fbef17d6c4c7168f96745a952fec17516afc29d82fc90c714570dfa5a7/_28A9418.jpg" data-mid="211936280" border="0"  src="https://freight.cargo.site/w/1000/i/6a9150fbef17d6c4c7168f96745a952fec17516afc29d82fc90c714570dfa5a7/_28A9418.jpg" /&#62;&#60;img width="8049" height="5346" width_o="8049" height_o="5346" data-src="https://freight.cargo.site/t/original/i/a6f11989d46e8e6b39048941b464b80c99ed5999971361667025a2820e88cb16/_28A9457.jpg" data-mid="211936381" border="0"  src="https://freight.cargo.site/w/1000/i/a6f11989d46e8e6b39048941b464b80c99ed5999971361667025a2820e88cb16/_28A9457.jpg" /&#62;
</description>
		
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		<title>Assist</title>
				
		<link>https://aliciariccio.com/Assist</link>

		<pubDate>Tue, 28 May 2024 14:57:56 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Assist</guid>

		<description>Assist2023inkjet printsdimensions variable, 8x10 in /eaAssist is a series of twenty seven inkjet prints consisting of photographs and texts that depict common tools and assistive devices. The works are fragmented interventions of language used in design patents and instructional manuals arranged
with close up photographs of design elements referencing where a body is expected to meet an object such as grips, dimples, and grooves.

&#60;img width="2400" height="1438" width_o="2400" height_o="1438" data-src="https://freight.cargo.site/t/original/i/59ad20989d5a424bd8884e12b80d970ba8ff9b963ed43c95ed468141d4bc8d76/Riccio.Alicia.24ThesisPortfolio1.jpg" data-mid="211812904" border="0"  src="https://freight.cargo.site/w/1000/i/59ad20989d5a424bd8884e12b80d970ba8ff9b963ed43c95ed468141d4bc8d76/Riccio.Alicia.24ThesisPortfolio1.jpg" /&#62;
&#60;img width="2400" height="1757" width_o="2400" height_o="1757" data-src="https://freight.cargo.site/t/original/i/0503a736fa7eb95fb3506f9f9ceb42fe47ff620ef5deab908d7d45dd153737b1/Riccio.Alicia.24ThesisPortfolio2.jpg" data-mid="211812903" border="0"  src="https://freight.cargo.site/w/1000/i/0503a736fa7eb95fb3506f9f9ceb42fe47ff620ef5deab908d7d45dd153737b1/Riccio.Alicia.24ThesisPortfolio2.jpg" /&#62;&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/3c6983cfd9c7f20f6f85e046797b7f957d11a740d720a8ee42020213388ff7ec/Riccio.Alicia.24ThesisPortfolio3.jpg" data-mid="211812902" border="0"  src="https://freight.cargo.site/w/1000/i/3c6983cfd9c7f20f6f85e046797b7f957d11a740d720a8ee42020213388ff7ec/Riccio.Alicia.24ThesisPortfolio3.jpg" /&#62;

</description>
		
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		<title>Scores for breath (pair I)</title>
				
		<link>https://aliciariccio.com/Scores-for-breath-pair-I</link>

		<pubDate>Sun, 20 Feb 2022 22:51:14 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Scores-for-breath-pair-I</guid>

		<description>
	
Scores for breath (pair I)2022Spirometers, air, plastic tubing, connectors, custom fabricated metal stands, vacuum, mechanical timerDimensions variable
The duration runs for 1 min every 15 min referencing the recommended frequency one should move their body.
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9fdc81a663238f404ed3a7dacb7942a281722ae0da1721ad672e07e102c97d9a/scores-for-breath.jpg" data-mid="137456824" border="0"  src="https://freight.cargo.site/w/1000/i/9fdc81a663238f404ed3a7dacb7942a281722ae0da1721ad672e07e102c97d9a/scores-for-breath.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/740794751b7e72ef252e4da4a1dbee35792075ea22bdb868d9eca9b52bd6bee4/scoresforbreathalone.jpg" data-mid="137456818" border="0"  src="https://freight.cargo.site/w/1000/i/740794751b7e72ef252e4da4a1dbee35792075ea22bdb868d9eca9b52bd6bee4/scoresforbreathalone.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e3e83d20e622e4a5b1d320db03068be61e9788a45e3a249c7fbcfa1077f9665d/scores-for-breath-yellowmove.jpg" data-mid="137456823" border="0"  src="https://freight.cargo.site/w/1000/i/e3e83d20e622e4a5b1d320db03068be61e9788a45e3a249c7fbcfa1077f9665d/scores-for-breath-yellowmove.jpg" /&#62;


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	<item>
		<title>Can it hum</title>
				
		<link>https://aliciariccio.com/Can-it-hum</link>

		<pubDate>Thu, 24 Mar 2022 18:34:04 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Can-it-hum</guid>

		<description>
Can it hum2022video, color, sound8 min, 41 sec
Can it hum is a video work that depicts a walk along the East River Esplanade paired with arranged fragments of text that move between present and past selves. The captions are read by Riccio’s dubbed voice and the footage is recorded by an iphone, which serves as a kind of appendage. The video traces the abruptly imposed label and experience of illness as well as the evolution of the self when confronted with shifting roles of dependency and care.

&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/e676c22032a2cab26f28a8424b9478dcc2694f3ed4eda371d049738571613c42/03_canithum-028A4042.jpg" data-mid="211932989" border="0"  src="https://freight.cargo.site/w/1000/i/e676c22032a2cab26f28a8424b9478dcc2694f3ed4eda371d049738571613c42/03_canithum-028A4042.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5426616734aaa947e3b0d8c88db9fce357cfa39288295151d91a1c972a6901ce/East-River-Esplanade.00_01_20_28.Still006.jpg" data-mid="137464875" border="0"  src="https://freight.cargo.site/w/1000/i/5426616734aaa947e3b0d8c88db9fce357cfa39288295151d91a1c972a6901ce/East-River-Esplanade.00_01_20_28.Still006.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a905e8ebd42f5cc3b4dbabbf68e95812a27a6bfaa838e5911a5f962cb3c44d29/East-River-Esplanade.00_04_17_23.Still007.jpg" data-mid="137464876" border="0"  src="https://freight.cargo.site/w/1000/i/a905e8ebd42f5cc3b4dbabbf68e95812a27a6bfaa838e5911a5f962cb3c44d29/East-River-Esplanade.00_04_17_23.Still007.jpg" /&#62;
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	<item>
		<title>A getting to know you</title>
				
		<link>https://aliciariccio.com/A-getting-to-know-you</link>

		<pubDate>Sun, 11 Apr 2021 15:11:32 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/A-getting-to-know-you</guid>

		<description>


	A getting to know you2018VinylDimensions variableA getting to know you is a series of fifty three unanswered questions printed in black vinyl. The questionsoriginate from a 2008 yahoo email questionnaire that was answered and sent by my grandmother thenight before her unexpected death.

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	<item>
		<title>Vessels</title>
				
		<link>https://aliciariccio.com/Vessels</link>

		<pubDate>Sun, 11 Apr 2021 15:29:51 +0000</pubDate>

		<dc:creator>Alicia Riccio</dc:creator>

		<guid isPermaLink="true">https://aliciariccio.com/Vessels</guid>

		<description>

Vessels
2019
Sandbags with painted facial expressions copied from the Zoloft blob mascot, sand, wall stains
Dimensions variable


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